Posters are one of the most direct and immediate forms of visual communication—designed to capture attention, evoke emotion, and deliver a message in seconds. This collection brings together a series of conceptual and experimental poster designs, each exploring a different mood, voice or theme through type, layout, image, and texture.
From imagined festivals and gallery shows to poetic reflections and abstract themes, each poster is treated as a visual artefact—rooted in design thinking but unrestricted by commercial constraints. The focus is on atmosphere, tone, and visual impact as much as clarity of information.
Throughout the collection, I’ve explored how to play with distortion, rhythm, contrast, and layering to build graphic tension or harmony. Typography is often treated as both language and form—sometimes leading the design, sometimes quietly embedded within it. Many of the posters aim to feel tactile, immersive, and even a bit uncanny—designed to make the viewer pause, look closer, and feel something.
Whether grounded in a real brief or entirely speculative, each design reflects my interest in storytelling, experimentation, and the power of graphic design to shape atmosphere and invite interpretation.
